View22: Field Study Works Now Available Online!

In 2017, we invited 21 local artists to create place-inspired art on 18 Jackson Hole Land Trust conservation properties in Teton, Fremont, and Sublette counties. The momentum for the project built over the summer as artists created their works and interacted with the community at artist demonstrations at the R Lazy S, and the Teton Food Tour.

View22: Field Study will culminate this Sunday, August 13th, 2017 with an exhibit and sale at the Jackson Hole Land Trust’s 37th Annual Picnic at the Hardeman North Meadow in Wilson.

The 80 finished works are now available for viewing and purchase through our downloadable e-catalog! The catalog will be updated periodically to reflect sales.

For inquiries regarding art sales please contact Roxanne Pierson at or 307-733-4707.

Kathy Wipfler – Snake River Ranch

The pastures just east of the Village Road are under conservation easements from the good folks at the Snake River Ranch. I painted on the ranch as a young artist in the 1980’s, as the Resor family was very generous to allow artists access to the property.

I have enjoyed reconnecting with Bill Resor for the View 22 project this year, and he took me on a tour of their conserved land. I have been very impressed with the quality of the cattle pastures there, as they are in excellent condition. The ranch uses the ‘intensive grazing’ method, which involves more work to rotate the cattle more often, but this allows the grass to regenerate quickly (it’s a very short growing season here), and the cattle prefer the new growth grass. Being somewhat of a cowgirl, I was happy to paint their herd!

The Resor family has been very kind to share the property over many years, and I thoroughly enjoyed painting there.

– Kathy Wipfler

Annie Band – Snake River Ranch Triptych Update

This summer I have continued to be amazed and astounded by the abundance of wildflowers in the mountains and valleys of Jackson. The blaze of colorful blooms along the fence lines of the Snake River Ranch inspired this triptych necklace.

The fireweed, lupine, sticky geranium, harebells, sunflowers, delphinium, and groundsel are illuminated by clusters of brilliant gems. The beaches with geranium blooms on them were textured with fenced from the ranch. On the reverse is a quote by John Muir: “The mountains are calling and I must go…”

For me this captures the essence of the ranch in summer. All year I run, bike and walk past this property and feel blessed by the beauty of the long vistas. I hope this piece will find a special home and will inspire the wearer to meander daily through the natural vistas of Jackson Hole.

I would like to extend a huge thank you to both the Snake River Ranch and the Jackson Hole Land Trust for including me among the View 22 artists. It is an honor to be part of this event!

Erin O’Connor – Snake River Ranch

My appreciation for the Snake River Ranch goes back decades and is many layers deep. Even before thinking of it as a JH Land Trust Easement, that stretch along the Moose Wilson Road eased my soul. Coyotes pouncing in perfect form, blinding snow broadsiding my truck in winter, impossible greens greeting me in spring, the canopies of cottonwoods ever present. Back in the day, I knew all the ranch hands; I sold them groceries at Hungry Jack’s General Store and served them breakfast at Nora’s, and come Sunday nights, I’d dance with them at the Stagecoach Bar.

Contributing a painting to the JH Land Trust is the finest way I know to say thank you for that view, past and present. View 22.

What an honor to have a personal tour with Bill Resor! His insights on the land and his family’s history in the valley are fascinating. For all of the time we spend looking up, he seems to be a man who is firmly grounded. In the expanses we see as flat, he knows every intimacy and nuance in the terrain. “This is a Pleistocene deposit,” he says, feet planted. “The soil composition doesn’t support aspens. When you drop down the bench toward the river, you can see the change.” Renowned geologist David Love had revealed this to him. Bill understands range management, migration patterns, water. Irrigation ditches have been moved, old pipes reused, headgates diverting the flow in new directions.

Following Bill through the grass, I gain a new perspective. I return later to paint “Lay Of The Land” (20×16, oil on linen) with appreciation for the subtleties and his family’s contribution to the JH Land Trust.

It’s not just the view that makes an easement. It’s the complexities of the land and its inhabitants that give it value. Bill Resor’s stewardship holds no grudges against the wolves, or the mountain lion who took up residence on his deck last winter. There’s room for both the cattle and the elk. Bumping along in his truck, the westbank wind mixes with NPR and Bill’s discussion about the Phillips Gallery in Washington, D.C. I’m impressed with the artful balance – balance between the deep past of a Pleistocene deposit, the needs of all who reside in the here and now, and thoughtful consideration for the future.

– Erin O’Connor

Annie Band – Snake River Ranch – June 28, 2015

When I was asked to participate in the View22 Project, I was thrilled; so many JHLT properties are near and dear to my heart. I also was a little concerned about being able to finish a complex piece during my summer madness, but I just had to say yes. Then I found out I was paired with the Snake River Ranch, one of the most beautiful places in the valley. Living on Fish Creek Road I walk, run or bike past this property several times a week, year round. It holds a very special place in my heart.

As the first jeweler involved in the project, I really want to create something iconic and evocative, yet easy to wear. I was completely staggered by the flowers blooming this summer on the Ranch, and it has been hard to avoid focusing entirely on wildflowers while wandering about. The mule’s ear has given way to swathes of helianthella in shocks of sunlit yellow, and many other more subtle and divine blossoms. I’ve sketched and photographed several times on the property this summer and am deciding exactly where my piece will go. I want to capture the lightness and joy of the flowers within a framework that specifically honors the Snake River Ranch.

I love the fence lines wandering off against backdrops of cottonwoods, aspens, firs, and mountain ridges. The flowers erupting everywhere may have to be the focus for me, illuminated with some brilliant gems. Perhaps a hinged choker that captures that sense of wandering and living in the moment, filled with blooms…

– Annie Band

Snake River Ranch

SnakeRiverRanch1_KimFadiman_slideshowThis painting session is scheduled for June 27th, 2014. Sign up to receive email updates from us to the right so you get our blog posts right in your inbox!

Snake River Ranch Painting Session

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Our visit to the Snake River Ranch is actually two visits – one a painting demo day with Kathryn, and another to figure out where on the vast, 5,000+ acre expanse of the Snake River Ranch this will be.


The “upper” Snake River Ranch is a huge part of the visual identity along the Moose-Wilson Road, flanking both sides of the highway with open space and cows on the drive out to Teton Village. Kathryn and I meet Bill Resor on the west side of the highway, turning left after a bridge that crosses Lake Creek.


Bill is waiting for us next to his big red truck at a spot just off the road, and shows us the many options for views from this one little nook of the ranch. It’s all about water here, in a riparian area criss-crossed by side channels of Lake Creek and irrigation ditches. Just beyond, there are Teton views and open ranchlands, and everywhere, there are aspens.


Kathryn is thrilled with the options, but even more special is the chance for her and Bill to chat about art. Their families know each other, having been in the valley for many decades, and yet on this day, there are new conversations and discoveries to be had. Bill’s grandmother, Helen, was on the board of the MoMA in New York, and it becomes clear that art is one of Bill’s many interests as well. Kathryn learns from Bill that the Raynolds Expedition brought some of the first artists to the valley in 1860 –Anton Schönborn and James Hutton – 11 years before Thomas Moran arrived with the Hayden Expedition and created the works that helped inspire the protection of Yellowstone National Park. Bill sends us off with a gift, a fresh porcini mushroom that Kathryn plans to use for a locavore’s dinner of elk pasta.


When we return, we’ve already survived some of the valley’s first snowstorms and it is the peak of fall foliage. The aspens are radiant, leaves a bright yellow, and Kathryn decides to paint them for her plein air demo, forgoing the streamside options. “I’m obsessed with the aspens of the Snake River Ranch,” she exclaims. We’re joined by Larrie, Rocky, Marilyn, Kelsey, and Joanie, our guests for the demo day, and Dan Visosky, an Open Space Council member of the Jackson Hole Land Trust who is working on a video blog about the View22 project. Joanie has brought her watercolors along, and paints the view as well.


Kathryn’s commentary while painting is both instructive and reflective. She has us look more closely at the colors flooding the aspens and the trailing edge of light on the sides of the aspen trees, talks about when to choose different brush sizes, and share things true to both art and life: “at some point, you just have to commit,” and “less is more”. She covers the canvas with greens using expressive, big brush strokes to start, then focuses in on applying the “juicy”, thicker paints. Finally, committing, she adds the highlights on the left side of the aspens, and their eyes.


Leslie Steen

Snake River Ranch Photo by Kim Fadiman


This painting session is scheduled for September 26th, 2013 and will be a plein air demonstration open to the public. If you’d like to join us at this location, please visit our Events page for information about how to register. Sign up to receive email updates from us to the right so you get our blog posts right in your inbox!